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If you've always taken an fine art history grade or spent fourth dimension in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. Every bit with other subjects, most of what nosotros larn nearly art history today still centers on white men from Europe and, later on, the United states of america. In reality, there are then many more artists of all genders to learn from and appreciate.
Hither, nosotros're specifically taking a wait at merely some of the women who have had lasting impacts on their art forms. From some of the art world's most iconic pioneers to its most unsung heroes, these women artists all had a mitt — and, in some cases, yet take a hand — in changing the globe of fine art and how nosotros define it.
Laura Wheeler Waring
Laura Wheeler Waring was an artist and educator who taught at Cheyney Academy in Pennsylvania for more than 30 years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, condign best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.
Cindy Sherman
Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps almost well known for her series of Untitled Motion-picture show Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female person film characters, among them, ingénue, working daughter, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.
Yoko Ono
You might first think of Yoko Ono as a musician and activist, merely she's also an accomplished performance and conceptual artist. Ono was considered a pioneer in the functioning art movement, earning the nickname the "High Priestess of the Happening".
1 of her nigh revered works, Cutting Piece, was a functioning she starting time staged in Japan; Ono sat on stage in a nice conform and placed pair of scissors in front of her, and, in an human activity of daring vulnerability, invited audience members to come on stage and cut abroad pieces of her clothing. "Art is like animate for me," Ono has said. "If I don't do it, I start to choke."
Betye Saar
Earlier becoming a printmaker and activist, Betye Saar studied pattern and was employed as a social worker. A printmaking elective changed her entire career trajectory — and, in plow, part of the trajectory of fine art history.
Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If y'all tin go the viewer to look at a piece of work of art, and then you might exist able to give them some sort of message."
Frida Kahlo
It's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is all-time known for exploring themes like death and identity through her self-portraits. Kahlo often used assuming, vivid colors to create her symbol-rich works, and was regarded as 1 of the most influential artists of the Surrealist movement.
Yayoi Kusama
Yayoi Kusama started painting at a very immature age, just she'due south likewise known for her hyper-real sculptures, polka dots, installations, and then much more. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her indelible Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.
Amy Sherald
Amy Sherald is an American painter and portraitist who depicts Black Americans, frequently doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you lot recognize Sherald's work — and her signature grayscale skin tones — every bit she was the offset Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.
Georgia O'Keeffe
Known as the mother of American modernism, you probable associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just mayhap, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York art world, all by painting in her unique style.
Adrian Piper
Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question society, identity, and racial politics by enervating the audience to confront truths about themselves. She often challenged people on the streets of New York to judge her race, socio-economic class, and gender — all while dressed equally a Blackness man with a simulated mustache and sunglasses, or while wearing compelling statements on her clothes.
Shirin Neshat
Shirin Neshat left Iran in 1974 to written report art in Los Angeles, California — before the Iran Islamic Revolution took identify. She is best known for her photography, film, and video work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat'due south works frequently create a sense of solidarity and empowerment.
Jenny Holzer
Equally a neo-conceptual creative person, Jenny Holzer'southward work focuses on words and ideas, which she puts on ad billboards, projects onto buildings and adds to electronic displays or neon signs.
These works display phrases that act as meditations on various concepts, such as trauma, knowledge, and hope. One of her more than notable works, I Smell You lot On My Skin, makes the viewer question what kind of sentiment the judgement conveys.
Rebecca Belmore
Much of Rebecca Belmore's art addresses identity and history — and, in detail, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe creative person, she works to enhance awareness around the prejudice, violence, and attempted erasure of Ethnic North American culture. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.
Louise Bourgeois
While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider to a higher place — which were inspired past her own experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when abstraction and conceptual art were the main styles shaping the art world.
Mickalene Thomas
Heavily influenced past pop culture and pop art, Mickalene Thomas oftentimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody ability and femininity.
Judy Chicago
Judy Chicago was one of the major figures within the early Feminist Art motion. As exemplified in her iconic piece of work The Dinner Political party, her installation pieces ofttimes examine the part of women in history and culture — in the 1970s and before. While at California State Academy in Fresno, Chicago founded the offset feminist fine art program in the U.s..
Augusta Roughshod
Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, often of Blackness folks, Fell founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.
Carolee Schneemann
Known for her provocative operation fine art practices, Carolee Schneemann is considered the progenitor of "torso art". (Just look up her nigh famous work, Interior Ringlet, and you'll meet what nosotros mean.) She used her body to examine women'south sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.
Nan Goldin
Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In add-on to documenting New York City's queer subculture mail-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.
Elaine Sturtevant
Does this look like an Andy Warhol to you? Well, that'southward the idea! Elaine Sturtevant, who went by her concluding name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-proper noun artists' work.
Some artists and critics encouraged her efforts, while others became quite angry. Yet, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.
Ruth Asawa
During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's concluding public committee was the Garden of Remembrance at San Francisco Land Academy, which was created to recognize Japanese Americans who were interned during Earth War II.
Catherine Opie
Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of ix. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a way that conveys power and respect by evoking traditional Renaissance portraiture.
micha cárdenas
micha cárdenas is an artist, author, theorist, and assistant professor who won an Bear on Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global issues such every bit racism, gendered violence, and climate change.
Lee Krasner
Lee Krasner was an Abstract Expressionist painter who as well specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).
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